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Lapslap’s third release is now available on Leo Records.

We augmented our usual lineup of brass, sax, keys and computers with some
tracks featuring long-time lapslap collaborator Mark Summers on viola da gamba,
as well as ocarina and drumsticks.

The blurring between acoustic and electronic sound in these single-take
improvisations happens when small digital samples of acoustic material are used
to emulate and imitate instrumental sound sources. To confuse matters, the live
instruments mimic electronic material so that it becomes unclear who is playing
what.

We’ve developed our computer-based performance systems in the max/msp
programming language. These are controlled by various input devices from
joysticks to midi wind controllers. While Michael’s system is a complete
performance environment allowing spontaneous access to an array of features for
sampling, processing and synthesising sound, Martin’s tools are more like
separate instruments, selected and occasionally modified as the session
unfolds.

Zuppa Inglese, Italian for custard or trifle, was recorded in the Reid Concert
Hall in Edinburgh in September 2008. Recorded by Martin Parker and Michael
Edwards; mixed and mastered by Michael Edwards.

Extract: flatuway teaser

Extract arg teaser

lapslap scratch

Scratch, our second CD release, came out on Leo Records in January 2009.  This is a companion disc to itch, released in October 2008.  Like itch, scratch features several tracks with intricate live electronics however the album is more instrumental in feel, the first three tracks being the instrumental solos:

extract: blau
for solo piano by Karin Schistek

extract: throat horn
for solo horn by Martin Parker

extract: Zerbrötzeln
for solo tenor sax by Michael Edwards


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Our first release Itch is now available from Leo Records .

Some samples: not cheddar but | rhapsody in light yellow | hungry | spoons

All tracks on this release were performed live in a single take and recorded during a three-day session at the Reid Concert Hall in Edinburgh, September 7th to 9th 2007. The special acoustic of the hall is featured on several tracks, often with each instrument in its own space (recording purists beware). The recordings were made in surround and mixed into stereo by Michael Edwards and Martin Parker. Surround versions of the recordings will hopefully be made available via Leo’s website (watch this space).